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Cubicles: Act III

ACT III:  JUNE EVENING

Daniel and June are in June’s cubicle, talking.  June is sitting and Daniel is standing nearby.

DANIEL

Hey June, let’s go.  You coming with us to happy hour?

JACOB

Walking up behind them. Ding-dong the day’s over!  Long live the evening.  Happy hour time!  Let’s go!

DANIEL

Hi Jacob.  Someone’s ready to go.

JACOB

Yeah!  Nothing like happy hour.  You guys are going, right?

DANIEL

I am, but I don’t know if June is.

JUNE

I have a lot of work still.  You guys go on ahead without me and I will come in a while.

DANIEL

Okay.  Let’s go Jacob.

JACOB

Hesitantly.  But… okay.  They both walk away.

JUNE

Finally.  She works alone in the dimmed office for another hour, then joins the others at a nearby bar.  When she walks in both Jacob and Daniel greet her.

JACOB and DANIEL

Juuuune!

JUNE

Hi guys.

DANIEL

So, get your stuff done?

JACOB

Finished?

JUNE

Yeah.  To bartender. Could I have whatever’s on tap.  Yeah, Yeungling is fine.  Gets and pays for her drink while Jacob and Daniel talk quietly to themselves. Where’s everyone else?

DANIEL

Just us.

JACOB

You know that.

JUNE

Yeah, I know.  Irritably. You could play along?

DANIEL

Sorry.

JACOB

Be easy on him.  He doesn’t like playing Daniel.

JUNE

God, I don’t care.  Think I like always being June?  At least you guys get to switch.

DANIEL

Yeah, true.  Looks at Jacob. That reminds me, we’re supposed to switch now.

JACOB

Looks at the time. Already!  Okay.  They switch.

JACOB

Well, it’s certainly nice being Jacob again.  I love being Jacob.

JUNE

Sarcastically.  Oh, really?

DANIEL

Hey, hey.  Let’s just have a good time.  Moves an mannequin sitting at the bar aside. Sit down, let’s just have a drink in peace.  We have work tomorrow.  June sits down.

JACOB

After an awkward silence during which they surveyed the room, the mannequins at each table, and the dust motes floating in the light Jacob speaks. Hey, I know.  Let’s go sleep in the nice hotel again tonight.  I love sleeping there.

DANIEL

That’s so Jacob.  Well, I guess.  June, you okay with that?

JUNE

I prefer the apartments, but sure.  We haven’t slept in a hotel for a while.  Sarcastically. We can get room service!

DANIEL

That’s settled.  Let’s drink to that!  Let’s drink.  Realizes something, turns to Jacob.  Hey!  That means you are sleeping with June tonight!

JACOB

Giggles.  Yes!  Yes!

JUNE

Rolls her eyes. Come on.  Grow up.  You both have had me so many times I can’t count.  If it weren’t for the radiation I would have had 50 kids by now.  So grow the hell up.  One of these days I’m going to shoot you two.  Like a nice black widow.  Just crawl up to you two and squeeze the life out of you.

JACOB

Continues giggling.  Yes!

DANIEL

That’s enough.  Let’s just drink.

END OF ACT III

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Cubicles: Act II

ACT II:  JUNE AFTERNOON

It is now midafternoon at Nowak Fabrics.  June is hard at work, reading her email.

JUNE

To herself. Ugh, 17 emails since lunch.  She begins clicking each one, opening them, and reading them.  The phone rings.

JACOB

Over the phone. Hi.  Did you get the files I sent just now?  We need those printed tomorrow.

JUNE

Yes.  I got them.

JACOB

Great.  So we’ll print them tomorrow?

JUNE

After a pause. No, not possible.  Two day turnaround time for this type of project.

JACOB

But we need it printed tomorrow for our client.

JUNE

I’ll see what I can do, no promises.

JACOB

Going to happy hour tonight?

JUNE

I hadn’t thought about it yet.  You?

JACOB

Of course!  Never miss it.

JUNE

Yeah you wouldn’t.  We’ll see.

JACOB

See you there if you come!  You’ll come.

JUNE

Maybe.  Bye.  Hangs up the phone and resumes reading her email.  The phone rings again after a few minutes, she picks up the receiver after seeing that it’s Daniel on the caller ID.

DANIEL

How’s your coffee?

JUNE

Tiredly.  I never got any.  Guess what, Jacob just asked me to do this crazy fast turnaround project.  The nerve.

DANIEL

Oh boy, again?

JUNE

Yeah.  And that’s not the worst thing.  He asked me again about happy hour.  He asks me every week.

DANIEL

Ugh, not that again.  He must like you.

JUNE

If he liked me he wouldn’t make me scramble like that.  He certainly could plan things better.

DANIEL

Pauses for a few beats.  Do you like him at all?  He seems clean cut.  Cute.  Wears nice clothes every day.  Seems…

JUNE

Irritably interrupts.   I know all that.  I just don’t like being bothered like that.  Gotta go, I need to get back to work.  Was that all?

DANIEL

Maybe you should give him a chance.  Like I said he’s clean cut.  You’re attractive.  It’s a good match.

JUNE

Come on.  Talk to you later.  Hangs up, turns back to her computer monitor and returns to her work with far less concentration than before.  In fact, it almost seems like she is daydreaming.

END OF ACT II

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Cubicles: A Play

CUBICLES:  A Play in 3 Acts

CAST OF CHARACTERS

  • JUNE, a young woman, Production Specialist at Nowak Fabrics
  • DANIEL, a middle-aged man, Senior Creative Specialist at Nowak Fabrics
  • JACOB, a young man, Creative Specialist at Nowak Fabrics

ACT I:  JUNE MORNING

JUNE

I need coffee.  Swivels and gets up from her mesh chair and exits her cubicle.  Meanders her way over to the coffee machine in the floor kitchen.  The pot is empty, so June presses the “begin brewing” button.

JUNE

This better work.

Daniel walks up behind her, startling her with a greeting.

DANIEL

Good morning, June!

JUNE

Oh, god.  You scared me.  Good morning.

DANIEL

Holds out a hand. Did I?  I’m sorry.  Making coffee?

JUNE

Yes.

DANIEL

I’ll join you.

June then turns her attention back to her cup, which is under the spigot of the coffee machine.  She waits for it to begin pouring.  Nothing happens.

DANIEL

Did you press the button?

JUNE

Of course.

DANIEL

Did you press it hard enough?  Maybe it didn’t register.

JUNE

Unsure. I thought I did.  Presses the button again.

DANIEL

Looks good.  I’ll be right back, gonna check my email.  Might have a message.

Daniel walks off, leaving June alone.  She makes a little sigh and watches her cup fill with coffee.

JACOB

It’s going to overflow.

June turns quickly.

JUNE

What do you mean?

JACOB

It’s going to overflow!  Points to the cup.

JUNE

What?  Turns to look.  An expression of horror slaps her face when she sees the coffee level creep dangerously close to the top of the cup.  She frantically searches around for something to catch the liquid.

JACOB

Accusingly. You pressed the button two times, didn’t you?

JUNE

Flustered and still searching. Maybe!  Maybe!  Napkins!  Towel?  Paper towel?  Ah!  Finds a napkin with the local bakery’s icon printed on it. That’s not going to help.

They both watch as the cup inexorably overflows and begins dripping all over the receptacle, counter, and finally, the floor.

DANIEL

What happened?

JUNE AND JACOB

It overflowed.

DANIEL

How?

JACOB

She must have pressed the button twice.

JUNE

I did not!  Carefully. Maybe.  I’ll put in a ticket for custodial service to clean up.  We don’t have anything to clean this up with.

DANIEL

But what about my coffee?

June leaves and returns to her cubicle.

END OF ACT I

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Big people small gates


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Mardi Gras coming soon!


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Hui look! Rhea look!


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Bye Hui!

Hui 1Fwiends

Hui 2All smiles

Hui 3Drinky drink

Hui 4Halloween haunts

Hui 5Bars and hopping

Hui 6Not CEB Approved Shoes!!

Hui 7Taking pictures

Hui 8Hui at his best

We’ll all miss you man, have a GREAT trip.

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SPIDERS and SCIENCE do not mix

SPIDERS and SCIENCE do not mix
Bobby Cox

Cast of characters

Professor FARNSWORTH, a throughly average mad scientist
SKITTERS SLOWLY, his Native American assistant
ANANSI, the King of All Stories
CHAMELEON, Prince of Disguise
YOU, a disciple of Chameleon
YOU TOO, a disciple of Chameleon

ACT I: SCIENCE

“Her slender fingers, hanging on each side
With many joynts, the use of legs supply’d:
A spider’s bag the rest, from which she gives
A thread, and still by constant weaving lives.”

-Myth of Arachne

FARNSWORTH

It is complete.  My Anansi.  My Arachne.  From deep in mythology I have made you real.  That nasty Chameleon tricked you, and then you ran away and hid in all the corners of the world as a spider.  But now is your time to reveal your face to the world.

(Farnsworth walks to a nearby bookshelf and grabs a glowing glass jar and brings it to a high table where a misshapen body lies.  It is attached to a bewildering array of cables, tubes, and widgets.  He then pours the contents of the jar on the creature.)

Come.  It’s time to awaken.

(The creature begins to shiver and stir, and when it does; you can see that it has eight legs.  As it begins to awaken, Farnsworth starts speaking to himself.)

FARNSWORTH

Time to awaken.  Time to awaken.  It’s been too long.  Too long.

(Another person enters.  It is SKITTERS SLOWLY, his assistant.)

SKITTERS SLOWLY

(Hoots.)  She is awakening!  It is time again for Anansi to rise!  That tricky Chameleon.   (To the creature)  Rise!  Do not be afraid to show face!  The King of All Stories should be proud to show his face!

FARNSWORTH

Skit, can you move over to the right a little?  You are blocking the devlo-light.

SKITTERS SLOWLY

Oh, you mean the black light?  Sure.

FARNSWORTH

Come over here, let’s help our dear Anansi to life.

(Skitters Slowly moves to help the Professor.  The body of Anansi continues to tremble and move strangely. Suddenly a voice comes from it.)

ANANSI

I forgive you.

FARNSWORTH

(Stands puzzled.)  For what?

SKITTERS SLOWLY

She’s alive!

ANANSI

For bringing me into this world.  But it won’t save you.

(Anansi flips off of the table and scrabbles into a corner.  She then begins spinning a huge web, while throwing streamlets that entrap Farnsworth and Skitters Slowly.)

FARNSWORTH

Hey!  What are you doing?

SKITTERS SLOWLY

So sticky!  It feels so good.

(Skitters Slowly moves towards Anansi happily, rubbing himself on the web.  In contrast, the Professor is struggling, brows drawn, grunting with the effort.  Anansi starts reeling them both in steadily.)

ANANSI

I am very hungry; it has been far too long since I have eaten.  Your stories shall sustain me.

ACT 2:  ANTI-DENOUEMENT

(In a lonely field near Billings, Montana, CHAMELEON and YOU are speaking.  The wind whistles around them as Chameleon adjusts his cloak.)

CHAMELEON

A disturbance in the force has been detected.  You must go and search for the source.  My sense tells me that it is Ananasi up to his usual tricks.  I was able to defeat him by using his greed against him.  You may be able to.  Godspeed, Luke.  I mean, You.

YOU

Yes Master, I will prevail against the forces of the Sith Lord.  I mean, Trickster.

ACT 3:  SPIDERS

(Outside, in a backyard.  Spider webs encase every available surface in front of you. Makeshift barriers are scattered about the yard, maze-like, providing the perfect scaffold for the groaning weight of the webs.  Shadows move and coalesce.)

YOU

(Grimly, to himself.)  It is you, Anasai.  You are up to your usual tricks again.  Chameleon defeated you eons ago, and you have been hiding in corners ever since, scrabbling towards your doom.

(You moves forward to search for the best way through the strange obstacles.  As he begins to move, he hears running footsteps behind him.)

YOU TOO

Hey, wait for me.  There’s strength in numbers.

YOU

Welcome!  I was afraid I would have to face this alone.

YOU TOO

Never.

YOU

(Gestures toward the webs.)  Guess who’s back.

YOU TOO

(Groans.)  Not her.  After all this time hiding in corners, she decides to reveal herself now?  Why?  It doesn’t make any sense.

YOU

I don’t understand it either.  But we have a job to do.  Defeat her before she encases humanity in a trick, confounding all of our progress in the eons.

YOU TOO

Yes.  What do we need to do?

YOU

Before we face her, we need to gather the right weapon to vanquish her for once and for all.  Remember, Anasasi’s only weak point is her greed.

YOU TOO

Ah, yes… I know what must be done.

YOU

What?

YOU TOO

It is not just one weapon we need, you see.  Eight, to be precise.  One for each of her legs, in which she stores her power. Come, let us gather all of our friends, as many as we can, and gather in this place come Saturday eve.  Together, we will vanquish her.

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Distinctive wigs


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